“Thanks,” he answered. “I may ask you to later on. But just now—” He paused. “A baby,” she said. “Oh, it was my own fault,” she continued. “I wanted it. It was all the talk at the time. You don’t remember. Our right to children. No woman complete without one. Maternity, woman’s kingdom. All that sort of thing. As if the storks brought them. Don’t suppose it made any real difference; but it just helped me to pretend that it was something pretty and high-class. ‘Overmastering passion’ used to be the explanation, before that. I guess it’s all much of a muchness: just natural instinct.”!

“I may,” answered Joan. “Just to spank it, and put it down again. I’m rather a believer in temptation—the struggle for existence. I only want to make it a finer existence, more worth the struggle, in which the best man shall rise to the top. Your ‘universal security’—that will be the last act of the human drama, the cue for ringing down the curtain.” They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it.

Phillips had been called up north and wired that he would not be able to get down till the Wednesday evening. Joan met him at the station. “That’s the pity of it,” he said. “You’re wasting the most important thing about you, your personality. You would do more good in a drawing-room, influencing the rulers, than you will ever do hiding behind a pen. It was the drawing-room that made the French Revolution.” Crouching close to the ground, behind the spreading roots of a giant oak, she raised her eyes. Before her lay a sea of smooth, soft mud nearly a mile wide. From the centre rose a solitary tree, from which all had been shot away but two bare branches like outstretched arms above the silence. Beyond, the hills rose again. There was something unearthly in the silence that seemed to brood above that sea of mud. The old priest told her of the living men, French and German, who had stood there day and night sunk in it up to their waists, screaming hour after hour, and waving their arms, sinking into it lower and lower, none able to help them: until at last only their screaming heads were left, and after a time these, too, would disappear: and the silence come again.